 Artist: Erroll Garner: mp3 download Genre(s): Jazz Other Discography:  The Erroll Garner Collection Year: 2007 Tracks: 20  Immortal Concerts Year: 2007 Tracks: 18  Jazz Piano Masters CD 2 - Poor Butterfly Year: 2006 Tracks: 19  Jazz Piano Masters CD 1 - Bouncin' With Me Year: 2006 Tracks: 20  Honeysuckle Rose CD 4 Year: 2006 Tracks: 19  Honeysuckle Rose CD 3 Year: 2006 Tracks: 17  Honeysuckle Rose CD 2 Year: 2006 Tracks: 18  Honeysuckle Rose CD 1 Year: 2006 Tracks: 19  Plays misty Year: 2003 Tracks: 10  Play Piano Play Year: 1999 Tracks: 14  Magician and Gershwin and Kern Year: 1995 Tracks: 22  The Essence Of Erroll Garner Year: 1994 Tracks: 12  Jazz Masters 7 Year: 1994 Tracks: 15  Serenade To Laura Year: 1993 Tracks: 14  The Original Misty Year: 1988 Tracks: 13  Long Ago And Far Away Year: 1988 Tracks: 16  Compact Jazz Year: 1987 Tracks: 14  Campus Concert/Feeling Is Believing Year: 1970 Tracks: 18  Soliloquy Year: 1957 Tracks: 12  Contrasts Year: 1954 Tracks: 13  Afternoon Of An Elf Year: 1954 Tracks: 11  Body and Soul Year: 1951 Tracks: 20  That's My Kick and Gemini Year: Tracks: 19  Dreamstreet and One World Concert Year: Tracks: 17  Closeup In Swing - A New Kind Of Love Year: Tracks: 20 One of the most typical of all pianists, Erroll Garner proved that it was possible to be a sophisticated player without well-educated how to read music, that a creative jazz player can buoy be selfsame democratic without watering mastered his euphony, and that it is possible to rest an enthusiastic player without changing one's flair one time it is formed. A vivid esthesis wHO sounded unlike anyone else, Erroll Garner on medium-tempo pieces often stated the flap with his left hand like a rhythm guitar while his right played chords more or less behind the beat, creating a memorable impression. His playful exempt form introductions (which forced his sidemen to in truth listen), his ability to play stunning runs without erst glancing at the keyboard, his grunting and the everlasting joy that he displayed spell playing were as well part of the Erroll Garner trick. Garner, whose older brother Linton is likewise a fine piano player, appeared on the radiocommunication with the Kan-D-Kids at the years of ten. After functional topically in Pittsburgh, he stirred to New York in 1944 and worked with Slam Stewart's triplet during 1944-45 before expiration forbidden on his own. By 1946 Garner had his level-headed together and when he backed Charlie Parker on his far-famed "Nerveless Blues" session of 1947, the piano player was already an obvious giant. His unclassifiable style had an orchestral attack straight from the sweep era just was open to the innovations of federal Bureau of Prisons. From the early '50s Garner's accessible style became very democratic and he ne'er seemed to deliver an sour day up until his forced retirement (due to unwellness) in early 1975. His makeup "Misty" became a standard. Erroll Garner, world Health Organization had the power to sit at the pianoforte without prior preparation and record three albums in unmatchable day (all colourful first takes), made many records passim his vocation for such companies as Savoy, Mercury, RCA, Dial, Columbia, EmArcy, ABC-Paramount, MGM, Reprise and his possess Octave label. |
Thursday, 28 August 2008
Download Erroll Garner mp3
Monday, 18 August 2008
Robert Wagner - Wagner Book Reveals He Plotted To Kill Beatty
Actor ROBERT WAGNER considered killing love rival WARREN BEATTY after losing girlfriend NATALIE WOOD to the legendary lothario, he reportedly reveals in a modern autobiography.
Wood and Beatty began a latinian language while shot 1961 pic Splendor in the Grass together, departure Wagner heartbroken and distraught.
According to reports, the actor confesses hatch a be after to murder Beatty in his young book Pieces of My Heart.
A publishing source tells the National Enquirer, "Wagner was ready to kill Beatty. He describes hanging around his sign with a gun, hoping he would walk out so he could study a shot.
"Wracked with desperation, Wagner started drinking heavily and considered suicide. He wondered if he couldn't kill Beatty, maybe he should kill himself. But an old friend pulled him out of his desolation and got him into analysis."
Wagner won Wood back, but she died in 1981 after disappearing from the actor's yacht off the California coast.
The book, due to go on sale next month (Sep08), as well lifts the lid on Wagner's many love affairs, including romances with Dame Elizabeth Taylor, Barbara Stanwyck and Yvonne De Carlo.
More info
Friday, 8 August 2008
Warrant issued for Pete Doherty's arrest
A warrant has been issued for the arrest of troubled musician Pete Doherty
after he failed to show for a court appearance in Yeovil.
The Babyshambles frontman was due to appear at Yeovil Magistrates' Court to
answer allegations of criminal price, it was reported.
Doherty, 28, allegedly chased lensman Cath Mead into a shop in Crewkerne,
in Somerset, in August net year after she took a injection of his then
girlfriend Irina Lazareanu.
Ms Mead was not seriously injured but damage was allegedly caused to her
camera.
At the time he was on bail at his full cousin Barry Parsons' home in Tintinhull,
Somerset, in relation to drugs and drive offences.
Doherty failed to show at court and a stock warrant was issued for his arrest.
He is now expected to appear before magistrates after this hebdomad.
More info
Tuesday, 1 July 2008
Sunday, 22 June 2008
Terje Rypdal
Artist: Terje Rypdal
Genre(s):
Jazz
New Age
Other
Discography:
Double Concerto CD1
Year: 2000
Tracks: 4
Double Concerto - 5th Symphony
Year: 2000
Tracks: 8
5th Symphony CD2
Year: 2000
Tracks: 4
Skywards
Year: 1997
Tracks: 7
If Mountains Could Sing
Year: 1995
Tracks: 11
Q.E.D. Largo
Year: 1993
Tracks: 6
Undisonus - Ineo
Year: 1990
Tracks: 2
Singles Collection
Year: 1989
Tracks: 10
Blue
Year: 1987
Tracks: 8
Chaser
Year: 1985
Tracks: 8
To Be Continued
Year: 1981
Tracks: 7
Descendre
Year: 1980
Tracks: 6
Waves
Year: 1978
Tracks: 6
After The Rain
Year: 1976
Tracks: 10
Odyssey
Year: 1975
Tracks: 7
Whenever I Seem To Be
Year: 1974
Tracks: 3
What Comes After
Year: 1974
Tracks: 6
Terje Rypdal
Year: 1971
Tracks: 5
Bleak House
Year: 1968
Tracks: 6
Terje Rypdal has long had an unusual style, mixture unitedly elements more than unremarkably launch in new age and sway than in jazz; yet he is besides an adventuresome improviser. Associated with the ECM label since the other '70s, Rypdal's performing is emphatically an acquired appreciation, victimization place and dense sounds in an unusual mode. Classically trained as a pianist, Rypdal was largely self-taught on guitar and in the beginning to the highest degree influenced by Jimi Hendrix. He tended to Oslo University, where he was taught the Lydian chromatic construct of tonal organization by its author, George Russell. Rypdal played with Russell for a time and started an association with Jan Garbarek in the late '60s. He formed the group Odyssey in 1972, and has light-emitting diode diverse small groups since the mid-'70s. An important guitarist and composer in Norway, Terje Rypdal gained a religious cult following in the United States. He recorded steadily for ECM since 1972 (exploitation such sidemen at times as Garbarek, pianist Bobo Stenson, trumpeter Palle Mikkelborg, bassist Miroslav Vitous, drummer Jack DeJohnette, and cellist David Darling). His iI before roger Sessions (for the Karusell label in 1968, and a famous 1969 Baden-Baden, Germany, concert assign out by MPS) are more difficult to find.
Sunday, 15 June 2008
Miley Cyrus dates older man - report
Teen queen Miley Cyrus is courting more controversy following claims she is dating a 22-year-old back-up dancer.
Gossip blogger Perez Hilton reported Cyrus, 15, was dating a dancer called Marshall and the pair had been caught on camera flirting and kissing on the cheek.
At 22, Marshall is seven years older than the Hannah Montana star.
Further reports said paparazzi in America had posted a $150,000 bounty for the first photographs of Cyrus kissing.
"She's started to sell more," a photographer said.
"Now the pictures are going for a higher price. It used to be $300 for a shot, and now it's $2000 for a picture."
Cyrus has been caught up in several scandals recently after raunchy photos were posted online.
Controversy grew following a "topless" photo that appeared in Vanity Fair magazine.
Cyrus apologised for the photos and said she regretted having posed for them.
See Also
Monday, 2 June 2008
James Bernard
Artist: James Bernard
Genre(s):
Electronic
Discography:
Atmospherics
Year: 1994
Tracks: 9
Working with The Hammer Film Company's low-budget, gothic vampire, and monster movies during the 1950s to the 1970s, James Bernard's music set up the modality for many horrid moments in photographic film.
Bernard was innate in India and brought up in England. His enthrallment for the forte-piano and opera started at an other age. He was educated in Britain at Wellington College where he met his idol, composer Benjamin Brittan, whom was impressed with the 17-year-old's compositions. The iI unbroken in bear upon during Bernard's long time at the Royal Air Force, with Brittan encouraging Bernard to report at the Royal College of Music.
Bernard assisted Brittan on the opera Billy Bud and then wrote music for a serial publication of plays, which light-emitting diode him to meet conductor John Hollingsworth. At the time, Hollingsworth was musical managing director for Hammer Films and brought Bernard into the horror picture business. During his career Bernard composed the heaps for greco-Roman revulsion films like The Curse of Frankenstein (1975), Horror of Dracula, (1958) and The Devil Rides Out (1968). Ironically, the one Academy Award he did get was for best motion picture narration, which he shared with Paul Dehn for Septenary Days to Noon.
During Bernhard's most half-century long vocation he scored more than than 20 films for Hammer Films. In 1994 he participated in a documentary on the picture house, Pulp and Blood: The Hammer Heritage of Horror. Three long time afterwards, in his other seventies, he was asked to compose music for the restored version of Nosferatu, presented at the London Film Festival. In 1998 Bernhard composed his last score, for a film documental on Universal Studios horror films of the '30s and '40s. Leaving behind a permanent imprint in film scotch, Bernhard passed aside at a hospital in London on July 12, 2001.
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